Fiddling While Commuters Rush By
A young musician is in a Washington DC metro station. He wears jeans, a long sleeved T-shirt and a Washington Nationals baseball cap. It’s Friday morning. A violin is in his hand. The case is open at his feet. A few coins and dollar bills are inside as seed money to stimulate contribution. At 7:50 am, he begins playing. He continues for 43 minutes. During this time, he plays through six classical pieces, including the stunning Bach Partita in D minor. His music resonates through the entire metro arcade. About a thousand people pass by. Almost all ignore him. Twenty three of them glance momentarily and wait. Seven people stop to listen for more than a minute. He collects a total of $32.17. The violinist is Joshua Bell. He is one of the great musical virtuosos of our time. He sells out concert halls. He plays to capacity audiences all over the world . Now, here he is, in the Washington Metro, playing an 18th century Stradivarius violin, and just seven people stop to listen for more than a minute. (Interestingly, according to Washington Post reporter Gene Weingarten, who concocted this Pulitzer-prize winning experiment, every time children walked by the performance, they tried to stop and listen. And each time, a parent swooped them up and kept walking.) What does this experiment show us? It depends on your perspective. Are we too busy to appreciate beauty? Was Bell just a bad busker? One lesson to draw from the story is how much we can learn from well-designed, rigorous real-world experiments. When the reporter first proposed the experiment, he anticipated that the music would draw a throng, perhaps even create problems with crowd control. Instead, he learned that only a very few classical music fans (and children) would stop to enjoy the music. No focus ...
